Lodewijk Muns


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Magic, signs, and making sense

This lengthy essay has originated as a by-product of a musical composition, a series of spells and incantations in mostly ancient languages. These texts were chosen because of their peculiar poetic qualities; qualities which are not lyrical-reflective or expressive, but derive from the 'performative' character of these texts (to use J.L. Austin’s term): they are meant to achieve something. In this, they are a manifestation of that strange but universal belief in the ‘magical’ power of spoken, sung or written words.

Much of the puzzlement among linguists and philosophers manifests the same ‘bewitchment’ (Wittgenstein) which has produced magical beliefs about the power of words.

text (pdf)
Music & Drama
Een en ’n ander
Who’s I?
Pedrillo Botón
Philosophy
Magic, signs, and making sense
God and the calculus of belief
Musicology
C.P.E. Bach, Haydn, ...
Why I am not a Schenkerian
Schumann's First Symphony
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God and the calculus of belief

Arguments in contemporary ‘natural theology’, operating with a ‘God-hypothesis’ of an inductive or probabilistic kind, are mistaken for two reasons. (1) Since the ontological status of the God-concept in theological tradition excludes it from probabilistic reasoning, the purported inductive arguments are in fact disguised a priori arguments. (2) These arguments conflate probability, plausibility, imaginability and desirability.

Attempts to refute such a ‘God-Hypothesis’ with arguments within the framework of science are therefore pointless. Instead, the debate should lay bare the basic intuitions which motivate the will to believe. If we want to explain the fact that theistic belief is upheld in spite of illogicality and implausibility, we should look into the structure of language and language use.

text (pdf)

© Lodewijk Muns 2011